Episode Notes

We are back once again with our discussion of episodes 7 through 13 of Neon Genesis Evangelion. These may be what are generally considered the lightest, most slice-of-life/monster-of-the-week episodes of the show, but Niamh and Connor know what this show is and is going to be, so this episode is still plenty dark. Niamh being her most messy Misato when fae recorded this probably didn’t help.

We start our discussion with the revelation that Connor is also a Misato x Ritsuko shipper, then get into the way the comparative cheeriness of these episodes feels intentionally hollow and like the illusion of happiness you create when you’re depressed, Eva’s deployment of tropes from “lighter” genres like romantic comedies, the duality of Misato and the ways in which she is actually not like Niamh, the subordination of all characters to Shinji as the self-obsessed depressed protagonist of the series and how this starts Connor and Niamh’s one true fight on Eva that we will never fully resolve, the forced feminization of Shinji, bringing in Misora Hibari as a point of reference for Asuka as an impersonator of Misato, the psychoanalytic theory of abjection as put forth by Julia Kristeva and its relation to Eva, the possibility of communication and connection between individuals, the developing characterization of Rei, Gendo’s position as the antagonist of the series, the divided subject of the MAGI system, more on the divided opinion of Connor and Niamh on whether or not Anno is a hateful little shit man, trying to talk around the end of the show and The End of Evangelion, and putting off some theory bullshit for next time.

Also we kinda end up talking more about Asuka and Misora Hibari after we finished recording the podcast proper and that all made it into the post-ED outtakes section so uh… it’s a little more than just goofs this time, you might want to stick around for at least some of it even if you usually skip the outtakes.

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The Show: @ghostdiverspod
Niamh: @FoxmomNia
Connor: @rabbleais
Autumn: @Autumnal_Coffee
Garfield Read Aloud: @GarfReadAloud

Works Cited in this Discussion

“Misora Hibari and the Girl Star in Postwar Japanese Cinema” by Deborah Shamoon, published in Signs vol. 35 no. 1

Powers of Horror: An Essay on Abjection by Julia Kristeva

“Kanashiki Kuchibue” performance by Misora Hibari

Content Warnings for this Discussion

Alcohol / Alcoholism
Abusive relationships
Mental illness
Misogyny
Sex work
Rape
Sexualization of young girls
Pedophilia

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